Sunday, April 21, 2013

Final Blog Entry: Top 10 Ideas...


"I have come to believe that a great teacher is a great artist, and that there are as few as there are other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit."                                                             -- John Steinbeck

 

10.  ~  Design and the Experience, “Form” used as a verb, and My “Work of Art”…  Understanding the difference between “Design” and “Experience” and the use of “Form as a verb was the key for me.  How the “Design” of things is related to the overall “Experience” whether you are a Photographer, Graphic Artist, Teacher, etc.  The “Forming” of something dictates the quality of the experience.  Once I fully understood these meanings and concepts, kept them in the forefront of my mind, every assignment was more meaningful to me.  Transforming an average picture into a more compelling “Work of Art” completely drove home just exactly what it means to manipulate forms to create a special image ~ This is a favorite because I was still cloudy after the Eisner article, but after this project everything about NDCE and creating them seemed clear to me.

9.  ~  Being Passionate  Ken Rockwell in How to Make Great Photographs ~ I was drawn to the section on “Passion”.  He states: “Photography is communicating passion and sparking excitement in the mind and body of another person.  If you don't care about the subject then the results won't get beyond the basics.  Care deeply and incredible things happen. Don't care and you are quickly forgotten.”  This is a favorite because because it speaks volumes about what teaching should be, and that is communicating passion and sparking excitement in the mind and body of your students. If you don't care about them, then the results won't get beyond the basics. Care deeply and incredible things happen.

8.  ~  Less is More… The “reduce and simplify” concept discussed in the Photography module made a huge impact on me.  In all of the video projects, being way over the established time limit, I learned how to trim, trim, and trim.  Somehow, making things more compelling by leaving more to the imagination, zeroing in on the most compelling of images, and actually saying more by showing less.

7.  ~  Observation, Reflection and Contemplation…  I’ve taken this away from the course in the sense that I observe things in a completely different, more meaningful way.  In my life today, I can’t help but notice compelling architecture, movie scenes, commercials, artwork, music, etc.  It has caused me to slow down in the hustle and bustle of everyday life, observe, and take time to reflect on what I am seeing, what it means to me, and those around me. 

6.  ~  Filmmaker and Teacher…  Just as a Director has a vision, so does a teacher.  A good Director will encourage his/her crew to bring fresh ideas to the table, and create an environment where the various departments will strive to do their best.  A good teacher will encourage his/her students to bring fresh ideas to assignments, and create an environment where students will strive to do their best.  This was a favorite because it emphasizes the opportunity to inspire.  By creating the right environment, a teacher can motivate his/her students to strive for something special.  There is no greater reward than seeing a young person achieve great things. 

5.  ~  Visual Storytelling… Graphics Designers and Photographers utilize their knowledge and techniques to create a visual storytelling.  This is a favorite idea because I really experienced how a graphic design or photograph could elicit an emotional response from the viewer; ultimately, stirring the thought process.  In a more direct analogy, a teacher will utilize storytelling to elicit an emotional response (i.e., provoke, motivate, etc.) resulting in engaged, deeper thinking students.  Just as a well-developed and presented image can hold your interest and reach the viewer, teachers need to hold the interest of their students and reach them with the subject they are trying to convey.  A less direct analogy would be with regard to composition.  For a graphic design or a photograph, composition can equate to… what goes where (placement of items to draw your eye), colors, patterns ~ combining parts to form a whole.  For a teacher, composition is very similar in that how he/she builds on the curriculum tells a story, pulling in different aspects, structuring the curriculum such that every lesson supports each lesson, combining parts or elements, leading to a harmonious result.

4.  ~   The Power of Compelling Music…  Until the music module, I had no idea how compelling music could be.  I’ve always enjoyed music, but didn’t listen to it as deeply as I was forced to for this module.  I discovered that a compelling musical experience could completely transport me to somewhere else.  Specifically, John Mayer’s Waiting on the World to Change.  When I closed my eyes to listen to it, it took me to another place. I was no longer laying in my bed listening to my iPod, I was sitting in an intimate, dark, smoky club in Chicago, it’s close to 2:00 a.m., but I can’t leave because this bluesy, Reggae tinged song has captured my attention.  This has changed the way I unwind at the end of a long day with children.  Instead of falling asleep watching t.v., I listen to music with my iPod, really hearing the experience, listening for each of the forms that make the piece compelling.
  
3.  ~  Storytelling…  A filmmaker tells stories every day.  As an audience, if we are engaged and find the stories compelling, we pay attention; however, if not, we don‘t watch.  A teacher tells stories every day, and if she isn’t engaging or compelling, the students will tune her/him out. As was written in Storytelling: The film-maker as storyteller, as a conductor uses his power to make the orchestra powerful, a filmmaker’s job as a storyteller is to awake possibility in other people. Look at the eyes of people in the “orchestra” around you; if they are lit up, Great!  A teacher in the role as conductor uses her/his power to make the students more knowledgeable, awakening possibility in them.  A teacher must also pay attention to the look in the eyes of her/his students, be mindful of whether they are lit up… if they are, they are engaged and the lesson will more likely be heard and retained.  This is a favorite because it really emphasizes the importance of keeping students engaged and working off their cues.  I reflected on the storytelling readings and discussions when we had to tell the Jerry Seinfeld joke.  I needed an audience to be engaged in order for me to perform, I also needed to move forward with the joke based on the cues I could see on their faces and in their eyes.  You're waiting for a response to come back.  The sooner the audience/class responds, whether it's hundreds of people watching a video at the same time (or a class of 30 students), or speaking to an individual, the sooner the audience/class experiences the story and really feels something, the better the story/lesson is.  After all, that’s the objective… to have the person really experience something, and retain the information conveyed via the experience.    
 
2.  ~  The Importance of a Good Space… I believe Architecture and Interior Design play a role in teaching in that a school’s physical design can improve or worsen children’s academic performance. The example I shared in my original blog entry had to do with my search for a school for my children.  After narrowing it down to a choice of two, the deciding factor was based on the buildings themselves. School ’A’ was very dungeon like. The elementary section was allocated to the basement of an extremely old building, where the ceilings/walls had deteriorations, no windows, low lights, and narrow hallways. In this situation, I could only imagine that my productivity would be low, and I couldn’t imagine it would be any different for my children. It was a depressing atmosphere, and didn’t matter to me how academically appealing the school was.  In stark contrast, School ‘B’, the school I chose, has a wall of windows in every classroom allowing natural light to seep in, a glass wall in the library, wide open corridors, masses of light throughout the entire school!  I have to believe the quality of their surroundings has an influence on their academic performance.  Upon reflection, I took so many lessons away from the Architecture and Interior Design Module.  Aside from wanting to rebuild my house, I felt confident in the fact that I chose the right school for my children, and very confident that I don’t like being kicked out of places for taking pictures!  ;-)

1.  ~  The Importance of a Sense of Humor… Working on each of the projects brought both my children and me some serious laughs!  The laughs we shared (especially over the “Getting Ready for School” video) made it very clear to me how valuable it is to maintain a good sense of humor.  An engaged student that learns can be exhilarating, and it is clear to me that creating an atmosphere full of compelling experiences is the way to engage them.  In my life, I laugh so much on a regular basis that I have often wondered if that quality would be detrimental in teaching.  After all my reflection during this course, I’m no longer concerned with that.  Laughter is good; who says the emotional punch line can’t be a joke most of the time?  Once you see the smiles brought out of the special needs children I’ve worked with, you can’t imagine an experience any more compelling than that!    







Sunday, April 14, 2013

Saturday, April 6, 2013

Compelling Fashion

Building an imaginative bridge between the work of art of compelling fashion, and the work of art of teaching

 
My bridge between fashion and teaching has me recalling an experience with my youngest son. Last year, he was in the second grade. Early in the year, his teacher and I sat down for parent/teacher conference. At that time, she expressed her concern for Brandon’s inability to sit still and focus in the classroom, and asked me if I had ever thought about medicating him. I was shocked with her candor, and offended for Brandon. Naturally, my response was on the defensive… “with all due respect, I’m not going to medicate my son so your day goes a little better”. Now, Brandon is without a doubt the free spirit amongst my three boys, and I didn‘t want to change that about him; however, I had seen a lack of focus at home that was annoying to me as well. I decided my class in the coming spring at MSU should be Teaching Kids with Challenging Behavior in hopes of helping my son. It was one of the best choices I had ever made. Throughout the semester, I diligently studied every aspect of challenging behaviors, the causes and the solutions. For my culmination project, I did a 25 page report, with Brandon as my subject, entitled Changing My Son Without Changing My Son. Not only did I identify Brandon’s most challenging issues, but I was able to come up with simple solutions that completely altered his behavior (i.e., Moving him to the front of his class, Reinforcing positive behavior, An incentive contract, A change of bedtime, Vitamins, Quiet homework nook, etc.). Additionally, it became pretty clear to me that boys are still maturing at the 2nd grade level, and it didn’t help that his teacher was very stern, inflexible, and without a sense of humor. I came to learn in my research that a boy like Brandon needed a different kind of teacher; a warm-bodied, kind-hearted, stern (yet soft), and fun teacher. So, I decided to do an experiment. Brandon would be heading to 3rd grade in the Fall, and one of his potential teachers fit the description of what Brandon needed. I asked her to tutor him once a week for a month, and she agreed. Brandon thrived under her, just as I suspected he would. When I sat down with his 2nd grade teacher again in the spring, she couldn’t deny all the progress with his behavior, and was very remorseful with regard to how she handled the situation. The principal also agreed to give Brandon the teacher that tutored him as his 3rd grade teacher. Brandon’s grades were never a problem, just his inability to stay on task. In his 2nd grade teacher’s defense, I don’t know how any teacher having a classroom full of children could ever find the time to completely dissect one child as I did. Taking on teaching Brandon different coping tactics transformed his world. It is clear to me after watching What Not To Wear, Stacy and Clinton did the same thing with Pam. Dissected her, gave her the resources to change, and transformed her world.

Saturday, March 30, 2013

Compelling Music Project





The Nature and Design of Compelling Music

Building an imaginative bridge between the work of art of compelling music, and the work of art of teaching

Teaching via repetition helps learners retain facts, lists, procedures, etc., in their long-term memory under the assumption that the more often information is retrieved and used, the more deeply it will be processed. 

A musical "hook" is embedded into the mind of a listener via repetition.  The more often an attention-grabbing, memorable melody, lyric, or rhythm, is incorporated into a song, the more deeply it will be processed and remembered.

Sunday, March 24, 2013

The Nature and Design of Compelling Music

Building an imaginative bridge between the work of art of compelling music, and the work of art of teaching

One analogy that I came across several times when reading about what a "hook" means when it pertains to music, had to do with fishing.  Specifically, that you can't catch a fish when your rod is missing a hook.  The same principle applies with regard to music.  In music, the word "hook" refers to the part of the song that catches your ear, draws you in.  The "hook" must be appealing and something that makes the song memorable.

The same can be said of teaching.  In my mind, I see the "hook" as the teacher.  Every day he/she presents lessons to the classroom; however, if he/she does not successfully catch your ear and draw you in, you are disengaged.  If he/she is not dynamic in their appeal, he/she is not memorable; nor is the lesson.  A strong and appealing teacher, just like a strong and appealing "hook", is able to catch and reel you in!    


 



Sunday, March 3, 2013

A Tale of Two Retail Spaces


Module 3 ~ Architecture & Interior Design



Imaginative bridge between the work of art of Architecture & Interior Design and the work of art of Teaching


My imaginary bridge this week was sparked by the uneasy confrontation I experienced while collecting pictures for our Architecture & Interior Design project.  I do understand that stores pay money to have people develop their displays, and I'm sure they have their share of people grabbing pictures of impressive displays and recreating them without paying.  However, this week, it was the store without bells and whistles and impressive displays that gave me grief about taking pictures.  The completely impressive store, with beyond amazing displays, allowed me to walk around for hours (without saying a word to me) allowing me a world of photo opportunities.  After looking at all the shots I collected of both stores, it was clear that one store was very proud and confident in what I would see; the other... not so much.  

As the week progressed, it made me think about teaching and how it relates to the interior design of my two stores.  The attributes of my first store are attributes I wouldn’t want to see in a teacher.  Quantity over quality, no improvements even though it is painfully obvious the need is there, and wouldn’t be thrilled with a Principal or school official observing in the classroom just as you wouldn’t want someone taking pictures in your store.  The qualities of the impressive store are the same as the qualities a good teacher would have.  They understand there is a place for tradition, but there is also a place for new ways, new ideas, new systems, and new approaches.  That store was proud to have me taking pictures and confident in what I would see ~ Just as a teacher with those qualities, someone who is taking the time to create a special experience, an engaging journey, would be happy to have someone observe them… taking mental pictures or otherwise!

Sunday, February 24, 2013

Module 3 ~ Architecture & Interior Design

Imaginative bridge between the work of art of Architecture & Interior Design and the work of art of Teaching


I believe Architecture and Interior Design play a role in teaching in that a school’s physical design can improve or worsen children’s academic performance. The example I would like to share has to do with my search for a school for my children. After narrowing it down to a choice of two, the deciding factor was based on the buildings themselves. School ’A’ was very dungeon like. The elementary section was allocated to the basement of an extremely old building, where the ceilings/walls had deteriorations, no windows, low lights, and narrow hallways. In this situation, I could only imagine that my productivity would be low, and I couldn’t imagine it would be any different for my children. It was a depressing atmosphere, and didn’t matter to me how academically appealing the school was. All I could think about was seven hours a day (x) five days a week (x) ¾ of the year was too much time to spend in such gloomy conditions.

In stark contrast, School ‘B’, the school I chose, has a wall of windows in every classroom allowing natural light to seep in, a glass wall in the library, wide open corridors, masses of light throughout the entire school! It was with great pleasure that I could send my children to school in surroundings that promote an airy, cheerful atmosphere. I have to believe the quality of their surroundings has an influence on their academic performance.
 

 

 

 

 

 

Forgotten Souls ~ 2 Minute Moment ~ Revised


Sunday, February 17, 2013


Building an imaginative bridge between the work of art of film & television, and the work of art of teaching

Both Filmmaking and Teaching are interactive...


Just as s a filmmaker must know where to begin the story, as Groh states that she discovered that the story shouldn't begin at the chronological beginning, you have to figure out what the audience cares about, a teacher must know where lessons should begin, what the class cares about in terms of what they need to know to build on their current knowledge of a subject.  As Larry Prusak said, it's not like the Monty Python approach to learning, where you open up someone's head, and you pour the information in.  You're waiting for he/she to respond, to come back.  Because the sooner the audience/class responds, whether it's hundreds of people watching a video at the same time (or a class of 30 students), or speaking to an individual, the sooner the audience/class experiences the story and really feels something, the better the story/lesson is.  That's the objective for both filmmakers and teachers:  to have the person really experience something, and retain the information conveyed via the experience.  

Compelling Video and Director's Commentary







Director’s Commentary

The “experience”


The experience I was trying to create with my multimedia project is a strong sense of hectic chaos and suspense.  Five days a week, this is my world of frantic craziness, and it is always a suspenseful game of beat the clock as inevitably one of the kids doesn’t cooperate, little things happen along the way, and we are rushing. Actually, on the day I shot this video, as soon as we got in the car, there was a fight between two of the boys. I didn’t leave that footage in, as it wasn’t as compelling as it was annoying! 

In terms of using something from this module that we learned about to create the kind of experience I was going for, I chose to create tension as discussed in Percussive Editing by inserting clocks that I had shot after the fact. The example they used in the reading was from the movie High Noon. I was able to play on the audience’s sense of time elapsing against the specified deadline of 7:50 a.m. By doing this, the anticipation of the dreaded events were heightened by the introduction of periodic cuts to the clock showing the time getting closer and closer to 7:50 a.m.

The things I worked on to create my experience


To begin with, I shot a video of getting my four kids ready for school and out the door.  Later that afternoon, I shot all the clocks we typically glance at to gage our progress getting ready.  I changed the times on the clocks to reflect the timeframes of our mornings, and shot in five-minute increments not knowing how many clocks I would use in my video.  Once I had all the video, I was able to begin creating my experience. I did not warn the children ahead of time that I would be shooting them getting ready for school as I wanted them to act as naturally as possible when I woke them. 


Additionally, I manipulated the following:

v     Arranging scenes in an order that made sense

v    Adding “Breakheat” musical jingle from iMovie as my footage on its own was boring

v    Adding overlapping graphics in the beginning to help set up the story

v    Since the original footage consisted of 10 minutes and 25 seconds without the clocks, I had to do some serious cutting.

v    After retaining the best clips and putting them together, I did clip adjustments to speed up the video from 100% to 800%. This change, I felt, added to the chaotic feeling.

v    I went into sound effects and overlaid the school bell sound at the end of the video.

v     I also added overlap graphics at the end in case it was unclear what Mandy said when we arrived at her school.  She knew we were rushing, and she ran down the hall and screamed, “I win!!” when she reached the end.  It was a total impromptu reaction and I left the sound in on that one clip because it said it all.  I also timed the bell sound so that she beat the bell (there isn’t really a bell that rings in her school).

v    I chose to darken the clock shots as they were all shot later in the afternoon when it was pretty bright in the house (which wasn’t consistent with how dark it was when the kids were actually getting up to go to school).

v    Audio adjustments were made to fade out at the end of the movie and also to remove all audio from all the clips except the last one. Audio adjustments were also made to the clock footage, as there was too much background noise with those.

v    When I shot the video, I did a lot of long tracking shots that were meant to go well with speed as I was planning on speeding up the video in an effort to make it chaotic.

v    I brightened the clock at 7:40 so it flickers right on beat with the suspense sound effect one time at the end.

v    I added suspenseful sound effects over the clocks to give it a greater feeling of suspense.


Evaluation of how the experience turned out, and lessons learned about NDCE…



In my opinion, the overall video turned out quite well. I felt that by speeding it up, it gave it a great pace and energy and was successful creating suspense with the clock. The music matched the pace of the visuals very well. I think it does a great job conveying the daily frantic experience of getting kids out the door, but in the end I found it to be more 'funny' in terms of how it made me feel… and humor wasn’t really what I was going for.  It is hard for me to be objective when answering the question as to whether or not my project gave the sense of chaos and suspense; after viewing it so many times, I’m too close to it. I would have liked to increase the tension by having the clocks show more frequently toward the end, but it would have been difficult to keep the video "around a minute" in length.  In the end, I do think the video supplies the most important storytelling element in that it has a humorous, happy "Emotional Punchline".   

The lesson I learned about the nature and design of compelling experiences is that there is so much more involved in creating a compelling experience than just the video, it is more a collaborative effort of people manipulating forms to create the compelling experience. The person editing the footage shot has endless power to manipulate the forms (i.e., pace, light, music, sound effects, graphics, etc.) and can change the whole meaning of the any shots given to them.  

Sunday, February 10, 2013

Building an imaginative bridge between the work of art of film & television, and the work of art of teaching

A filmmaker tells stories every day.  As an audience, if we are engaged and find the stories compelling, we pay attention; however, if not, we don‘t watch.  A teacher tells stories every day, and if she isn’t engaging or compelling, the students will tune her/him out. As was written in Storytelling: The film-maker as storyteller, as a conductor uses his power to make the orchestra powerful, a filmmaker’s job as a storyteller is to awake possibility in other people. Look at the eyes of people in the “orchestra” around you; if they are lit up, Great!  A teacher in the role as conductor uses her/his power to make the students more knowledgeable, awakening possibility in them.  A teacher must also pay attention to the look in the eyes of her/his students, be mindful of whether they are lit up… if they are, they are engaged and the lesson will more likely be heard and retained.

Sunday, February 3, 2013

2 Minute Moment ~ A Visit to the Animal Shelter

My transformation of an ordinary experience into a more compelling experience ~

Forgotten Souls...






Saturday, January 26, 2013

Photography Module Project

My "Work of Art"...



My Average Photo...


Building a bridge between Photography and Teaching...

After blogging last week on Graphic Design & Photography AND Teaching, I really didn’t think I would have much to say for this week’s blog. However, it seemed the more required readings I perused, the more I could see the imaginary bridge to the classroom.

The first connections between photography and teaching stood out to me after reading the “Photography Tip” article for the hundredth time.  As Mood, Narration and Idea were discussed, I could see obvious connections. Just as a photographer creates a mood in an image, a teacher creates a mood in a classroom that’s conducive to learning. Just as the photographer has an idea in mind and the techniques he/she will use to tell a story, a teacher has a lesson in mind and the techniques he/she will use to teach it.

Moving on to Ken Rockwell in How to Make Great Photographs, I was drawn to the section on “Passion”. He states: “Photography is communicating passion and sparking excitement in the mind and body of another person. If you don't care about the subject then the results won't get beyond the basics. Care deeply and incredible things happen. Don't care and you are quickly forgotten.”

Wow! Talk about bridging Photography to Teaching!! TEACHING IS communicating passion and sparking excitement in the mind and body of another person. If you don't care about the subject then the results won't get beyond the basics. Care deeply and incredible things happen. Don't care and you are quickly forgotten.

As I continued to read, Rockwell’s next little gem stated: “A photograph is communicating something, be it an idea, concept, feeling, thought or whatever, to a total stranger. For a photograph to be effective you have to be clear with what you're communicating.”

Again, it was really easy to see the bridge here… Teaching IS communicating something, be it an idea, concept, feeling, thought or whatever, to a total stranger. For teaching to be effective you have to be clear with what you're communicating.

Fortunately, where a photograph infers narration, a teacher has the ability to convey deep meaning with her animated, live storytelling.

 



Tuesday, January 22, 2013

Graphic Design & Photography AND Teaching...


Graphics Designers and Photographers utilize their knowledge and techniques to create a visual storytelling.  A graphic design or photograph can elicit an emotional response from the viewer; ultimately, stirring the thought process.

Building a bridge between Graphics Design & Photographers AND the classroom…

In a more direct analogy, a teacher will utilize storytelling to elicit an emotional response (i.e., provoke, motivate, etc.) resulting in engaged, deeper thinking students.  Just as a well-developed and presented image can hold your interest and reach the viewer, teachers need to hold the interest of their students and reach them with the subject they are trying to convey.

A less direct analogy would be with regard to composition.  For a graphic design or a photograph, composition can equate to… what goes where (placement of items to draw your eye), colors, patterns ~ combining parts to form a whole.  For a teacher, composition is very similar in that how he/she builds on the curriculum tells a story, pulling in different aspects, structuring the curriculum such that every lesson supports each lesson, combining parts or elements, leading to a harmonious result.


Tuesday, January 15, 2013

Filmmaking AND Teaching...



"I have come to believe that a great teacher is a great artist, and that there are as few as there are other great artists. Teaching might even be the greatest of the arts since the medium is the human mind and spirit."                                                 -- John Steinbeck

I have to admit, I had to re-read Eisners Aesthetic Modes of Knowing several times before I really grasped the concept. Given that I'm not a teacher, my perspective throughout this course will certainly be less of an insight about why something goes well or not, and hopefully more of a fresh way of looking at something. 

In the first assignment, we were asked to think of a domain in which professionals intentionally create compelling experiences for others, and I chose filmmaking.  The list of “Eisner-ian forms” professionals in this field use to create a "compelling experience" for the audience consists of:  script, music, acting, lighting, composition, special/visual effects, etc...  Filmmaking is the art of storytelling.  A filmmaker uses this wide range of forms to help tell a story, and bring an emotional experience to the audience.  In filmmaking, these forms are broken down into departments, and the Director works collaboratively with them to convey his/her vision. 

The connection I see (the "imaginative bridge") in the work of a filmmaker and a teacher places the Teacher in the role of Director.  Just as the Director has a vision, so does the teacher.  A teacher in a classroom is very similar to a Director on a film set.  A good Director will encourage his crew to bring fresh ideas to the table, and create an environment where the various departments will strive to do their best.  Even though the Director is in charge, the smart ones utilize the experience and talent of the crew members they have selected.

A bad film Director will utilize this same power to not control the film, but attempt to control the crew hired by the production.  This is often driven by ego, and certainly doesn’t foster the creative collaboration of the crew.  Under these circumstances, the individual departments naturally tend to do “just enough” instead of going the extra mile to really create something special within their realm of expertise.  It’s really a big mistake for someone in charge to hire a very experienced and talented crew, then not make them feel part of the collaborative process of filmmaking.

There is a direct correlation between the affect a film Director can have on his/her crew, and the affect a teacher can have on their students.  By creating the right environment, a teacher can motivate their students to strive for something special.  In this instance, both the students and the teacher excel, and realize the most benefit and satisfaction from their work.